主办单位:成都体育学院
ISSN 1001-9154 CN 51-1097/G8

成都体育学院学报 ›› 2021, Vol. 47 ›› Issue (5): 100-105.doi: 10.15942/j.jcsu.2021.05.016

• 体育史与体育文化传播专题 • 上一篇    下一篇

凉山彝族原生态仪式舞蹈“朵洛荷”的体育人类学考释

童国军   

  1. 川北医学院体育部,四川 南充 637000
  • 收稿日期:2020-10-24 修回日期:2021-06-26 发布日期:2021-09-26
  • 作者简介:童国军,硕士,讲师,研究方向:民族传统体育,体育人类学。E-mail:692521110@qq.com。
  • 基金资助:
    四川省教育厅科研项目“身体实践与族群表述:凉山彝族原生态仪式舞蹈的人类学研究”(18SB0194)。

The Anthropological Interpretation of Original Ecological Ritual Dance "Doloho" of the Yi People in Liangshan

TONG Guojun   

  1. Department of Physical Education, North Sichuan Medical College, Nanchong Sichuan 637000
  • Received:2020-10-24 Revised:2021-06-26 Published:2021-09-26

摘要: 运用田野调查、逻辑归纳、文献资料等研究方法及仪式象征理论,从体育人类学视角考释凉山彝族原生态仪式舞蹈“朵洛荷”的源起、符号内涵、仪式结构并探讨其在民族文化体系中的功能与意义。研究认为,凉山彝族原生态仪式舞蹈“朵洛荷”作为一种仪式性民俗体育活动,发轫于群婚制的母系时代与彝族先民“火崇拜”存在着密切的关联,是彝族女性期盼祖灵庇佑的原始图腾意识和渴望物阜民丰的朴素农耕意识的身体表达。在身体实践上以“顿地为节、连臂踏歌、依火环绕、右旋行进”表述了族群的认知逻辑和文化记忆;在仪式象征上隐匿着彝族女性社会角色转换及对“本我”的超越,展演过程既是彝族女性时间上的“过渡”又是空间上的“通过”也是践行于“圣俗”之间的族群文化表述模式。通过微观的田野个案,以身体的实践来深入解析“朵洛荷”隐喻的社会结构与象征意义,旨为跨文化理解与对话少数民族的身体文化研究提供一定的启示与借鉴。

关键词: 体育人类学, 彝族, 朵洛荷, 仪式舞蹈, 身体实践

Abstract: Using the methods of field survey, logical induction, documentation and ritual symbol theory, this present paper interprets the origin, symbolic connotation, and ritual structure of "Doloho" - the original ecological ritual dance of the Yi people in Liangshan from the sports anthropological perspective, and discusses its function and meaning in the Yi ethical cultural system.The study suggests that the original ecological ritual dance "Doloho" of the Yi people in Liangshan, as a ritual folk sports activity originated in the matriarchal era of group marriage system and closely related to the "fire worship" ofthe Yi ancestors, is the physical expression of Yi females'primitive totem consciousness of seeking blessings from ancestral spirits and their simple farming consciousness of longing for abundance and happiness. In physical practice, the dancing pattern of "stamping the ground with feet, dancing and singing with arms connected with one another, rotating around the fire, and clockwise rotating marching" reveals the ethnic group's cognitive logic and cultural memory; in ritual symbol, the dance reveals the hidden changes in Yi females' social role and their transcendence of ego. The performance process is not only Yi females'"transition"over timeand their"passage" in space, but also their expression mode of ethnic culture practiced in between religious and mortal worlds. This paper interprets the social structure and symbolic meaning embedded in the "Doloho" metaphor by analyzing its physical practice, and it is hoped that this case study can provide some enlightenment and reference for the cross-cultural understanding and studies of minority ethnic people's body culture.

Key words: Sports Anthropology, the Yi People, Doloho, ritual dance, physicalpractice

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